Beside the epic first track (Is There a Ghost), the latest Band of Horses release proves to be a bumpy second album. Fans of Everything All the Time will notice a much more subtler and reserved tone on Cease to Begin, as none of the songs travel into that stratospheric, echoed territory that touched most of their previous album. What is most disappointing about this is that, despite the shift in tone, the new songs still follow the band’s old formula, essentially making them less interesting versions of what you’ve already heard. There are even some downright misses in this bunch (Marry Song, Window Blues).
A snooty blogger might suggest they have titled the record Everything All the Time B-Sides, whereas a nicer, more compassionate one would simply consider this a mistep in what is hopefully a great musical career. Plus, that first song is just so epic!
Hey, how have you been? Long time no talk. I’ve so been enjoying my freedom from my mp3 posting duties!
I’ve spent my time listening to a handful of records, all of which I’ve purchased with my own money strange enough. Unfortunately, the bulk of what I receive to review is pretty uninspiring. Most of it comes from upstart labels whose artists are still trying to figure out what they want to do. Some records have been pretty interesting (check out Patience Please, they’re fun!) but none of it comes close to capturing my attention the way new records from the National, John Vanderslice, and M.I.A. have. I’ve even found myself addicted to Tegan and Sara’s latest guilty pleasure of a record The Con. Back in Your Head is sooo catchy!
Hands down the sweetest thing I’ve heard recently is the Bat for Lashes record, Fur and Gold. The thing is so haunting and eery. Even the slow piano ballads, which normally are the downfall of female piano pop acts, are great here. Check out the creepy fun video for the single What’s a Girl To Do?.
I recently heard the new Band of Horses mp3 on their Myspace page. I know a ton of band members have left but I really hope the rest of the cd is better than this.
The real reason I decided to pop my head in and post is because I’ve just heard the most hilarious intro to a song EVER. Seriously. Download this new leaked Britney Spears mp3 and laugh your bottom off.
Every female-fronted pop band reminds me of Rilo Kiley so naturally The Eames Era remind me of Rilo Kiley. This track is off their latest record Heroes + Sheroes. I have no idea what that title means but I guess you can google it if you’re that interested.
Sam Beam a.k.a. Iron & Wine has a name that reminds me of Samuel L. Jackson and Jim Beam. Probably because his first name is Sam and his last name is Beam. Probably. Did you know he used to be a film teacher? Well, you should because it’s mentioned in every feature, review, and interview that has ever been written about him. He used to teach film and now he plays folk music and has a giant beard.
Yeah I know this song is months old. Doesn’t mean you got to give me attitude. You don’t know me. Stop judging me by the freshness of my mp3 blog. I do things in timely fashion in real life, like laundry and buying groceries. I wish I had the time or brown nosing staff needed to scour the entire internet looking for exclusive, unreleased mp3s to make me look cool in your eyes but I don’t, so here is a late Lavender Diamond mp3. She reminds me of Jenny Lewis from Rilo Kiley because Rilo Kiley is my only point of reference when it comes to female singers.
As the July 24th release date approaches, John Vanderslice is revealing more and more of his Emerald City. Above is Time To Go, the first video from the record, along with a link to Mr. Vanderslice’s Myspace page where you can stream the ENTIRE album for a limited time. Eat it up, kids![stream] The entire Emerald City album @ http://www.myspace.com/johnvanderslice
I’m not sure I like what is going on in the new Interpol video for ‘the Heinrich Maneuver’- actually, I’m not sure what’s going on, period. There seems to be some cryptic, minimalist message hidden somewhere, perhaps even an allegory.
I really need to go back to school and take an art class.
As far as the song itself it is pretty much by-the-numbers Interpol. I listened to the first three songs off the band’s up coming Our Love to Admire on MTV’s the Leak and I wasn’t very impressed at all. Unless I get blindsided by a stellar second half, it looks like Turn on the Bright Lights will continue to hold the throne as Interpol’s best. Speaking of which, I haven’t been able to locate my copy of Bright Lights for the past few months and I don’t have the mp3 files on my computer. I do have the vinyl version but I am too lazy to hook up my record player right now. Sounds like I am in a pickle, doesn’t it.
That boring nugget was my attempt at getting more personal with all of you. How did it feel?
Truthfully, the thing I enjoyed most about Wolf Parade’s critically acclaimed Apologies to the Queen Mary was Dan Boeckner and his unique singing voice. Perhaps that is why I consider myself a fan of Boeckner’s other band the Handsome Furs. The voice is there in all its glory, hovering above a desert of drum beats and accoustic guitar (which are provided by Boeckner’s real life spouse Alexei Perry). Unlike some of SubPop’s other recent releases (*cough* Jenifer Gentle *cough*), this is some good old fashioned indie rock I can get behind.
John Vanderslice promised fans a ‘band’ record and that is exactly what he delivers with his latest record Emerald City.
Unlike 2005’s Pixel Revolt which employed heavy electronic bleeps and studio magic, the soft-spoken, slow paced songs featured on Emerald City live and die by their nakedness. The best way to decribe the record is to imagine ‘Trance Manual’ without all the bells, chimes, and studio tinkering. The peacefully moving instruments and soothing vocals have been arranged in a format that is built for the live setting rather than the record. Almost every sound you hear is able to be reproduced live by the band which unfortunately couldn’t be said for Pixel Revolt. After all is said and done, Revolt may be the better album and a bigger leap between records but the songs on Emerald City look to be a better addition to his live set.
The first single ‘White Dove’ is the most upbeat and probably the most familiar Vanderslice song on the record. His strong vocal delivery is reminscent of his Time Travel is Lonely days and the distortion on the acoustic guitars remind me a bit of Neutral Milk Hotel, who Vanderslice has openly expressed admiration for. Download the track now from Barsuk.com where you can also pre-order the record before its July 24th release date.
Whenever a band or artist’s website is prefaced with a disclaimer that “we don’t like the internet” or “we hate Myspace” it reeks a little bit of self-importance and pretention. If having an online identity where fans can access your music easily and efficiently is such an ethical comprimise for you then don’t have one. I don’t want to hear how a band’s Myspace is run by a third party because the “artist” doesn’t want to harm his integrity by filling out the fields on his own.
With that said, UK experimental act Microphone Stand is one of these bands. Their Myspace page reads “This page was setup and is run on behalf of microphone STAND, as they do not like myspace…”. Gee, thanks for that heads up. I would have thought they loved Myspace had the issue not been clarified. As for the music itself it is a claustrophobic, paranoid mish mash of gently strummed accoustic guitars, distorted cymbals, and sporadic heavy blasts of electronic beats; pretty much what you’d expect from an experimental solo artist with a laptop, some editing software, and a personal mantra that includes not selling out to Myspace (or at least not directly selling out to Myspace).
Hit the Ground Running is the debut single for UK group Superkings. Made up of two songs, the title track and the upbeat jazzy ‘Wolves and Ravens’, Hit the Ground Running is an interesting demonstration of the pop band’s radio ready talent. This polished sound is more evident on the title track, which opens with a steady piano melody and builds into a mid-paced ballad with great guitar accompaniment towards the latter half. The lyrics focus on the narrator’s fascination with a particular enigma of a woman (”Just before the sweat dries, she likes to put the lights back on. The mystery of her fragrance lies far beneath a tarry nightgown”). The other track ‘Wolves and Ravens’ isn’t nearly as entertaining or romantic, but it does well enough to happily round out this ‘less-is-more’ two song debut.
After weeks of indie blog hinting the general public can finally see for themselves whether The National’s fourth studio album Boxer is the record to beat in 2007. If magazine & newspaper critics have any say in the matter Boxer is, at the least, a very surprising step up from 2005’s already adored Alligator. Here is what Stylus magazine has to say about Matt Berninger and company, which I believe sums up the record & most reviews beautifully:
“Boxer is a National album through and through but blessed with a restraint and self-assuredness of a band on top of its game, resulting in a startling masterpiece on par with Turn on the Bright Lights, Bows & Arrows, or any other austere tribute to urban alienation you care to name.”
The only negative review I could find was from the UK surprisingly (which is where the National seemed to receive most of their attention prior to Alligator) and even then the publication, The Gaurdian, gives the record 3 out of 5 stars; although not until after criticizing the band’s last two records as “claustrophobic, minor-key U2-on-a-budget” and “deadened, muffled music”.
Harsh, no?
But perhaps the most interesting piece of feedback I’ve read for Boxer comes from the Earth’s largest social networking site, Myspace. For a week the record was available for full streaming on the band’s page and they were featured as a spotlight artist. Here is a screenshot of their write up on Myspace’s homepage.
Best band in America? Not sure the site’s 16 year old screamo-loving base will agree, but I sure love hearing those words.
Now the next step beyond what the critics think is to see how the public responds to the record. As Goodhodgkins so perfectly states, “If there’s one thing about Boxer that everyone and their grandma is going to use to discredit it, it’s the fact that there’s no ‘Abel’ or ‘Mr. November’”. These are the exact thoughts I had as I sat down and listened to the record for the first time.
As great as it would be to have a clear, aggressive single, Boxer benefits from its uniformity. Other than the darkly energized ‘Mistaken for Strangers’, most of the songs on record are content to give up their personal will and do their part in making Boxer a great complete listen. No instrument or vocal track attempts to stand out above the rest or steal the spotlight away from the collective whole. In my opinion, this is what gives Boxer the advantage over Alligator. It’s smarter and shows more restraint/maturity.
Hopefully fans will recognize this (it shouldn’t be very hard) and the chants of “It’s no Alligator!” and “Where is Mr. November?” will last only long enough before “Hey, I think I’m starting to love this cd!” kicks in.
BONUS:
Here is the band performing ‘Mistaken for Strangers’ and ‘Apartment Story’ live during MTV’s 24 Hour Human Giant Takeover last week (the always intelligent & musically knowledgeable people at MTV mixed the video tags, so Apartment Story is actually Mistaken for Strangers and vice versa).
By the way, Los Angeles residents can catch Human Giants’ Rob Huebel and Paul Scheer perform long-form improv at their always delightful Myspace Show every Wednesday night at the Upright Citizens Brigade Theater on Franklin Blvd. Much recommended!
Hit the Ground Running is the debut single for UK group 